Les Copaque responds! New movie in the works!

In response to some of the information posted on Zanimated! Tuan Hj Burhanuddin Md Radzi, Managing Director Les' Copaque Production Sdn Bhd thought he should send to Zanimated! an email detailing a lot of things and going arounds at Les Copaque.

He wished to clarify on certain things; some of which unfortunately we do not have permission as yet to share with the public. Maybe in the near future? Who knows?

But for now, here are some announcements that will make local animation lovers salivate and wait with bated breath for the next Movie installment. The following is the input received:


"We are proud until now, we have excited the industries as we have proven, if it is properly done, it can be sustainable without depending on the government funds," he says.

According to Tn. Hj. Burhanuddin, Les Copaque only received a RM1 million grant from MOSTI for the film Geng: The Adventure Begins. Subsequent request were rejected because "they felt that we were rich."

"I personally invested RM4 million from my own pockets; most of  which has been recovered," he adds.

On expansion plans, Tn. Hj. says that Les Copaque is proud to have provided opportunities for young people to work.

"Today we have 140 personnel and we are targeting 200 staff by the end of the year. Every year we are producing 42 episodes of Upin & Ipin for television; with the biggest income from Indonesia. The Upin & Ipin tv series is our main source of income and therefore it is no 1 priority," Tn. Hj. Burhanuddin explains.

What's in store for this year? This year Les Copaque is looking into producing another series called "Pada Zaman Dahulu" (Once upon a time), which has been snapped up by the local and Indonesian TV broadcasters.

"We are planning the film which will include steroscopic techniques. The film is titled 'Laksamana Upin and Ipin' and the reason why we picked the theme is purely for commercial reasons due to difficulties of getting free finacial assistance," he answers further.

Well the last statement certainly explains a lot as one might think; although that is not the entire story to be let out for the time being.

The golden question now would be: so when can we see this?

"As this film is low priority (compared to the TV commitments), we are hoping that it can be completed towrds end of 2012," finishes Tn. Hj. Burhanuddin.

Well that puts to rest a lot of questions. We'll definitely won't be seeing the intrepid toddlers Upin & Ipin anytime soon. This year will be another uneventful one for the local animation scene *sigh* Here we thought we'd be able to see another Upin & Ipin movie in a few days time. Major bummer.

Want to make short films?

Have you tried going to BlameSociety.net? No? Then you should. Check out Chad Vader, Darth's supposed twin on Earth...

Making short films and getting them noticed
By: Hazimin Sulaiman

full article: http://www.nst.com.my/Current_News/techNu/Monday/Notebook/20080310123933/Article/index_html

IF you love films, surf to blamesociety.net and fromheretoawesome.com (FHTA for short). Similarly, you can also go to Youtube.com and search for both. They serve as examples that filmmaking has been democratised: as long as you have a video camera and some software on a computer to do some editing, shooting a short film is not a problem. The problem is getting your short film distributed to make money.

This is where FHTA’s idea of getting noticed by harnessing the power of the Internet comes in.

Blamesociety.net’s claim to fame was through its Chad Vader: Day Shift Manager episodes; a hilarious parody series of Star Wars’ Darth Vader’s supposed brother working at a supermarket (on present day Earth, it seems).

Founders Matt Sloan and Aaron Yonda, who not only write, produce and star in their many other short films since 1993, have garnered a lot of attention. The success story, Chad Vader received over 15 million views online, broadcasted on Good Morning America, Spike TV and G4 and was selected by George Lucas himself as Best Star Wars Fan Film of 2007!

Getting noticed means opportunities in this business. In fact, both Sloan and Yonda now make films for a living. They owe it to public access stations which they describe as being video-business incubators which teach the young about skills and all aspects of broadcast communications.

They feel public access to television is important to local communities, hence their efforts to save a Wisconsin public access station (www.saveaccesswisconsin.org).

The FHTA is another avenue for indie movie-makers. Think of FHTA as a virtual film festival as it’s unlikely for most independent movie-makers to get noticed and go to an actual film festival in the first place.

In August 2007, Arin Crumley (Four Eyed Monsters) and Mike Belmont (We Are the Strange), both indie movie-makers, came up with a concept to create a virtual conference film festival. On their Web site, they say that they “decided that the virtual event would be an experiment to connect filmmakers with audiences and the event could become a model for open content distribution, which allows filmmakers to have a say in how their films were reaching audiences.”

FHTA claims that their experiment is off to a great start. From the looks of the corporate logos and icons on their site, it has garnered an amazing list of partners. These partnerships will be leveraged to distribute across mutiple platforms such as mobile, online, theatrical and direct into living rooms. The main idea? To design the fest in such a fashion that the revenue goes directly into the filmmakers’ pockets.

Filmmakers will get to set their own price, retain rights to their work and be able to reach global audiences directly. All that with no submission fees and let the audience judge the works. A three-minute submission will be determined by the judges on whether it should be expanded into a longer film and the prize is a worldwide distribution via FHTA.

How FHTA works is described on their Web site. It seems like a plausible method to get around distributors who often want a great portion of whatever profits a film can rake in these days.

Will such an idea take off here? Who would fund this? Local independent filmmakers should band together because they will then have a bigger pool of talent and resources to tap into.